Photo Notes
青花罗汉图炉
Micro extravagant mouth, neck, drum abdomen lower convergence, high foot. Heart with a circular hole. Matrix heavy. Device in optical element does not have grain, white flash of green. The outer wall was painted in underglaze blue with 32 Arhats, in groups of three and four joke to the landscape around, lined with cirrus, pine, stream, and flowers. Within the large white glaze. No inscription.
This device, modeling simple, vivid natural characters, Yuanshanjinshui structured, blend of landscape, wind around the clouds, elegant scenery, far-reaching conception. Painting with clear and smooth lines, blue change single-ping Tu techniques, and the color change.
The incense burner in the late Ming and early Qing popular at the end of Ming Dynasty, Qing Dynasty incense burner incense burner model is slightly higher, more simple decency.
青花罗汉图炉
Micro extravagant mouth, neck, drum abdomen lower convergence, high foot. Heart with a circular hole. Matrix heavy. Device in optical element does not have grain, white flash of green. The outer wall was painted in underglaze blue with 32 Arhats, in groups of three and four joke to the landscape around, lined with cirrus, pine, stream, and flowers. Within the large white glaze. No inscription.
This device, modeling simple, vivid natural characters, Yuanshanjinshui structured, blend of landscape, wind around the clouds, elegant scenery, far-reaching conception. Painting with clear and smooth lines, blue change single-ping Tu techniques, and the color change.
The incense burner in the late Ming and early Qing popular at the end of Ming Dynasty, Qing Dynasty incense burner incense burner model is slightly higher, more simple decency.
Further Details
• Date added: Nov 30th 11, 05:25
• Photo ID: 84
• Category: 瓷器
• Story: welcome to chinaartweb.com!
• Other Sizes: BlogSize
• Date added: Nov 30th 11, 05:25
• Category: 瓷器
• Story: welcome to chinaartweb.com!
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